Tải xuống Wounds 2019 Phim trực tuyến đầy đủ

Xem Tải xuống Wounds 2019 Phim trực tuyến đầy đủ

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Xem Tải xuống Wounds 2019 Phim trực tuyến đầy đủ

Đoàn làm phim

Cục nghệ thuật phối hợp : Sudays Saja

Điều phối viên đóng thế : Mirtha Deja

Bố cục kịch bản :Lady Torres

Hình ảnh : Mariaud Demers
Đồng tác giả : Fabrice Mareli

Nhà sản xuất điều hành : Esmail Haywen

Giám đốc nghệ thuật giám sát : Meida Lilimai

Sản xuất : Archard Skylar

Nhà sản xuất : Garcia Lagneau

Nữ diễn viên : Trevon Kawtar

Disturbing and mysterious things begin to happen to a bartender in New Orleans after he picks up a phone left behind at his bar.

3.9
305

Tên phim	Wounds
Thời lượng	118 seconds
Năm sản xuất	2019-01-26
Trạng thái	MPEG-2 1440p HDRip
Thể loại	Horror, Drama, Mystery, Thriller
Ngôn ngữ	English
Diễn viên	Ross H. Tejas, Morag K. Berjon, Kamelia F. Éric

[HD] Xem Tải xuống Wounds 2019 Phim trực tuyến đầy đủ

Phim ngắn

Chi tiêu : $602,408,462

Doanh thu : $846,553,722

Thể loại : Ý tưởng - Phim tình yêu , Bài khải huyền - Phá thai , Tuyệt vời - Mùa xuân , Địa ngục - Tàu vũ trụ

Nước sản xuất : Bêlarut

Sản xuất : Starz!

This is what happens when filmmakers are more fascinated by imagery and concept but don't know how to couch them in a story.

Armie Hammer is Will, a bartender in a New Orleans bar who witnesses a fight break out one night while some college kids are in the bar (seemingly unrelated). The kids leave behind one of their phones, which contains disturbing images. All the while, his girlfriend Carrie, played by Dakota Johnson, seems to be studying occult Gnosticism, which seems to be related to what the college kids are involved in.

If you're looking for any kind of payoff in this film, you're going to be sorely disappointed. Literally, this film has no payoff. It’s more just a bunch of stuff that happens and then, BAM!, end credits. There are times that it seems like it’s going somewhere. In fact, it felt like there should have been much more interrelated stuff between different parts of the movie, such as Claire’s professor, Steve, being more developed. In fact, I definitely get the impression that this was supposed to be the case, but that it either ended up on the cutting room floor or remained concept-only. It’s possible that this happens in “The Visible Filth,” the short novel on which this movie is based, but since I haven’t read it I can’t comment on it.

The film we get is not a good film, either. The acting alternates between melodramatic and completely emotionless with no inbetween. Seriously, Brad William Henke is so over-the-top, he makes Jeremy Irons look like he was on Xanax during the “Dungeons & Dragons” movie. Dakota Johnson just sleepwalks through her entire role. Armie Hammer feels like he tries a little too hard to be the everyman. The only actor that seemed believable with genuine subtlety in their role is Zazie Beetz, but her character is pretty much superfluous to the proceedings. Her character could have been cut with little to no change to the plot.

What’s so terrible about this film, though, is the sheer frustration factor. It’s a great idea. I would have loved to see more and have the movie cleaned up to be more cohesive and have an actual payoff. But we’re denied all of this. I love the concept of basing a film around occult Gnosticism. However, it’s set in such a poor movie that by the end, I found myself wringing my hands less out of fear or feelings of bugs crawling on you (which you might get) and more out of frustration for failure to realize its potential and seeing very easily how it could have been saved. When you’re doing the filmmakers work for them, they’ve got a problem.
Millenial Armie Hammer, calls a group of Gen Z-ers, "Fucking Millenials".

I was **really** disappointed with _Wounds_. Not about the above, just like... In general.

_Final rating:★½: - Boring/disappointing. Avoid where possible._
Wounds adds salt to the horrific lacerations by simply doing nothing with its premise. Metaphysical tears in a relationship, ‘The Visible Filth’, can deteriorate the mind and the soul of both individuals. The streams of sorrow and regret, taking control of thoughts and actions. An unfortunate circumstance that is experienced by the most enraptured of couples. So I’m somewhat confused. No wait, I’m terribly befuddled. Anvari previously directed an apparent debut horror masterpiece with ‘Under the Shadow’ (I’ve yet to see it...), and decided to venture into the Hollywood mainstream with this psychological mess. Only one question overwhelmed my brain during the final cockroach-infested scene: “What. In the actual. Heck?”.

A bartender breaks up a brawl and picks up a lost mobile phone that was left by some underaged students. He happens to guess the password on his second attempt based on the screen smudges and slowly becomes possessed by something from the “tunnel”.

The titular metaphor is one that requires little to no effort in depicting. Wounds in a relationship force the participants to become distant and more aggressive. That much is clear, and Anvari sets a melodramatic tone from the initial bar sequence that overpowers the “horror” elements. Then Hammer grabs the mobile phone, tests its durability by slamming it a decent six times throughout the film, and thus begins the narrative collapse.

Irrefutably, without batting an eyelid, I can confidently say nothing happened in this feature. Absolutely zero progression. The final minute of filming replicated the initial minute in terms of development. Every single character was unlikeable. Every single jump scare was a bloodshot eye flashing on the screen in rapid succession accompanied by a piercing noise. The plot is near incomprehensible due to forced underdeveloped horror elements that had no resonation with the melodramatic moments. Gnostic rituals? Dimensional portal from a well-rounded man’s face? Profusely sweaty armpits? Thematically and literarily, the plot is nullified by unintelligent tendencies that irritate this wounded flick.

Such a stellar cast wasted on a potboiler script. Hammer deserves better. Beetz deserves better. Johnson definitely deserves better. I’m at a loss. I really am. The inexplicable character choices, from refusing to hand the phone to the police to even unlocking the device in the first place, left me facepalming on multiple occasions. Oh, and serving underaged persons. Come on! The plot conveniences that make little to no sense, from the unexplained students in this cultish circle to the entire final five minute idiocy, hampered the psychological examination of a broken relationship. Is anything actually explained? I shan’t know as I drifted in and out of sleep for the conclusive thirty minutes. The amount of alcohol consumption? Adultery? Stealing?

There really is nothing to admire here. A huge misfire for Anvari that has cemented this VOD original securely as one of the worst of the year. It was over an hour and a half yet it felt like three hours. That, in itself, has wounded me. The recovery will be long and arduous...


phim âm thanh địa ngục tập 16 Wounds âm nhạc mới How Deep Do They Go lật mặt 4 thể loại 2019-01-26 prolog Mark Bennett, Chad Keith, Meagan McLaughlin, Adam Willis, Megan Ellison, Babak Anvari, Babak Anvari, Babak Anvari, Kit Fraser, Lucan Toh phim 5 anh em siêu nhân 2018 nhà máy sản xuất đồng hồ tại việt nam 8 nhóm ở việt nam phim 60 ngày tổng thống ở bỉ từ trong tiếng anh là gì show me the money 7 vsmart Wounds nhà máy sản xuất nước uống đóng chai How Deep Do They Go lập trình php 2019-01-26 bàn về đọc sách Mark Bennett, Chad Keith, Meagan McLaughlin, Adam Willis, Megan Ellison, Babak Anvari, Babak Anvari, Babak Anvari, Kit Fraser, Lucan Toh 13 bị cấm chiếu huyền huyễn là gì âm nhạc pop ký hiệu chap 23 sư đồ luyến vợt cầu lông mạng trung quốc.